Traveler of the Void - Part 1 Chapter 2 - The Martial Arts Demonstration Ceremony

 Traveler of the Void

(Book 4 of the Guardian of the Spirit Series)

Author: Uehashi Nahoko
Translator: Ainikki the Archivist
 

Part 1 - City on the Sea

Chapter 2 - The Martial Arts Demonstration Ceremony

    "Oi! I told you I wanted old leather hand wraps. Wraps made of new leather will make our hands bleed! We can't possibly use these at the Martial Arts Demonstration Ceremony!" Prince Tarsan shouted as he threw the leather straps at his servants. The straps contacted the servants' shoulders with a cutting sound like that of a whip. The servants quickly vanished into the weapons supply room to find new—or old?—straps.

    Prince Tarsan was much taller and stronger than his fourteen years would suggest. He had a reputation at the court as something of a hothead.

    A girl working on embroidering a chest guard with gold thread said, "Tarsan, take a breath. You're snapping at everyone like a starving shark. Do you intend to bring that attitude with you to the ceremony?" She giggled at him.

    Tarsan glanced at her. Though she too was tall, he towered over his older sister Saluna. "I'm not about to present myself as a foreign fool or a coward. Better a starving shark than that."

    Saluna gave him a tight smile. "Well, there's nothing for it. No matter what happens, our older brother could still trounce you."

    "Then what's the point in talking about my attitude?"

    Yesterday evening, Crown Prince Chagum of New Yogo had arrived at the royal palace as a guest of state. After exchanging formal greetings with the royal family, he'd been led through the palace's annex, and that was when Crown Prince Karnan had said the words that had cut Prince Tarsan to his very core.

    Karnan had looked over at Tarsan and said with a sigh, "Impeccable conduct. Clever answers to questions. Is he really the same age as you? I can't believe it. He's so dignified, like a high-quality pearl concealed inside an oyster shell. He has an inner quality somewhat like that of the most powerful pirate families of our nation, but no pirate has ever achieved such a high level of personal dignity."

    His gaze had flicked over Tarsan, up and down. "You come off as a blunt harpoon in comparison. It is good to be manly and forthright, but members of our family must possess the same qualities as that prince. During my coronation, I beg you not to offend our foreign guests with your vulgarity."

    Tarsan snorted through his nose.

    "Sorry I'm so rude...but I can't help it. I was raised on Kalsh, not in the capital. Karnan's spent time on Kalsh, too. I really wish we could have been raised together, in the home city of Sangal's royal family. I know we'd understand one another better then. And it's not like you learn dignity just by having people respect you. I'm stronger than every Yaltash Shuri in Sangal. I know I haven't done much with trade markets, but I've always been praised for my valor and strength in protecting our people from invaders and pirates. Much more than an elegant pearl, I want to be seen as a spear sharp and powerful enough to split the heavens."

    He said this all in one breath, eyes fixed on his sister. "Is that wrong?"

    Saluna stepped closer to her brother and tapped his fists with her own. "I happen to like blunt harpoons. You don't need to become any kind of pearl if you don't want to. Our brother's the one that's going to be king, so he was raised in the palace. You'll be the one to lead our armies, which is why you were raised on the island of Kalsh. You are the ideal embodiment of a strong, sea-tempered warrior of Sangal's royal family." She paused. "But I also think I know what our brother was talking about.

    "I think Karnan meant to say that you're too direct. Members of the royal family need power, yes, but they also need something else. A hidden strength, like the beam supporting a roof to keep it from collapsing. It's a kind of strength that distinguishes us from the common people.

    "During the audience with Crown Prince Chagum, I felt the same way our brother did. In New Yogo, it's said that if a member of their royal family so much as looks at a common person directly, that person will be struck by lightning. But...there is something other than raw power in that prince's eyes. Something concealed deeply, so deep I couldn't see to the bottom of it. Whatever it is, it's an incredible strength. Didn't you see it?"

    Tarsan stared at his sister with his eyebrows furrowed together.

    "You're the sort of person that conceals nothing about themselves," Saluna said. "You know I place great confidence in you just as you are, and that your people love you. Let that be enough for now. You really have nothing to worry about."

    Tarsan's shoulders sagged. "I don't really get what you're saying. I should be like the supporting beam of a roof? I don't understand it, and I'd rather not be afraid of something I seem to be lacking. I'd rather be myself—and be feared."

    Saluna smiled. She loved her shockingly direct little brother. He was overly violent and still young, but not stupid. She knew the day would come when he would understand what she'd said.

    The servants came scrambling back and presented a new set of fist wraps to Prince Tarsan. They moved to wrap the straps around his hands, but Saluna stopped them, took the wraps and unfurled them before wrapping her brother's hands carefully.

    "Everyone will be terrified of you when they see these fists."

    Tarsan looked up at his smiling sister. His feelings of burning rage gradually lessened. His sister was clever, with golden skin and large brown eyes. Her features were a bit severe, but this had the effect of always making her emotions clear on her face. Many desired her as a wife, but men that wanted to marry into the royal family of Sangal had to be thoroughly prepared for the experience. If the men of the royal family had enough strength in their arms to crush a kingdom, the women possessed a perceptive insight that could cut right to the heart of any plot. Their powers of perception were formidable.

    From the founding of the kingdom, the women of the islands of the Yaltash Ocean had been considered the country's most vital—and irreplaceable—treasure.

    The Kings of Sangal had governed these islands for a few hundred years. The kingdom had not always been as large as it was currently. In the beginning, pockets of islands would band together here and there, forming temporary alliances to fend off pirate raiders. When the men of the islands had reached marriageable age, they had joined their local militias to protect their homes—unless the fishing season had been poor, in which case they'd often turned pirate for a season themselves, attacking islands that they were not allies with in order to acquire food and resources.

    When they’d lacked enough hands to continue this progression, the people of Sangal had sent slave hunters—Rash Tashi—to other nations. That was how Sangal's early kingdom was formed. Although slavery had been abolished in Sangal by modern laws, the custom of buying and selling slaves by Sangal tradesmen continued as a practice in other countries.

    As for the pirates: while fending off attacks from other raiders and from the people of the islands, their armies had also grown strong enough for them to settle and found a nation of their own. But to consider it a country in the same way as Sangal or New Yogo, which both followed the guidance of one centralized leader, would be a mistake. The people of the pirate nation served whoever the most beneficial candidate was for their interests, whether those interests were trade or war. Often, these were ruthless men. No single leader gained dominance over the others for very long.  

    The ancestors of Sangal's royal family had been pirates. But a succession of outrageously strong men and astonishingly perceptive women had managed to distinguish themselves from ordinary pirates by soundly beating back all opposition and by forging alliances whose bonds were strong enough to last even after the original leaders that had negotiated them had died. Little by little, Sangal had built up its vast empire by the aptness of its leaders and the strength of its alliances.

    Even some two hundred years after its founding, the essential character of the people of Sangal had not changed. Oh, the size of Sangal's dominion had increased, and its language was much altered: there were citizens in the kingdom that could not speak a word of Sangal's standard dialect.

    The larger Sangal kingdom had swallowed up twelve smaller nations in its conquests. The Kings of those regions had become regional governors, but were still known by their traditional title of Island Guardians. The Island Guardians maintained their strong ties with the Yaltash Shuri, the brothers of the sea—men who, in the past, had been conscripted to defend their homes once they'd reached marriageable age, and who even now comprised the bulk of the King of Sangal's army. Every Island Guardian was permitted to collect taxes within their domain and to hire mercenaries and armies as they saw fit.

    The King of Sangal could in turn levy taxes on the Island Guardians and conscript troops from any—or all—of the islands. The king's heir was always raised in the capital and trained as a soldier in the king's army. Generals were selected from the very best soldiers of the army to lead troops in battle. The king's second son was always made the leader of these and called the High General. All Island Guardians had to obey the High General's orders as well as the king's.

    As Sangal became larger, the Island Guardians came to fear invasion by outsiders and attacks by pirate raids less and less, which gave them leeway to expand Sangal's already extensive trade network into foreign markets. And so the Island Guardians became wealthy and resourceful sea merchants. The rulers of Sangal became fabulously wealthy by imposing taxes on imported goods.

    Of course, there were always people that chafed under the king's rule: those that threw away their ties to their homeland to settle on islands that were not ruled by Sangal. Some of these would become Rassharō, the nomadic sea-drifters. People that owed no allegiance to the King of Sangal paid no taxes. Such people were not particularly uncommon. If a man had three sons, one might serve the king, another might serve an Island Guardian, and the third might serve neither.

    Because of the scale of the kingdom, the King of Sangal was no longer directly responsible for the care and well-being of his subjects; neither was he the sole arbiter of judgement for crimes. The King chose representatives that he perceived to be the best-suited to the tasks of governance. These loose human connections formed the basis of the unified Sangal.

    In order to strengthen these bonds, it was common practice for female members of the royal family to wed Island Guardians. This served a few purposes: first, it allowed these women of rank to observe and potentially quash any flames of rebellion in Island Guardians before they got started; and second, it provided a way to elevate the position and status of the Island Guardians themselves—even Island Guardians whose territory was small or of little note.

    The Island Guardians had some cause to fear their wives, and not just because of their rank. The electors of every Island Guardian were the women of Sangal's royal family. In a case where a current Island Guardian was not considered to be a suitable match, the bride-to-be would call a conference of all of the women of her rank and the women would unanimously choose a new Island Guardian for her to marry. The right to call such a conference did not end after the woman was married. If she grew to dislike her current husband strongly enough, she had the right to call the conference, which would dissolve the current marriage and sanctify another.

    Every time a new Island Guardian was due to take over the governance of their territory, this all-female conference was automatically called to the royal court. It was the responsibility of these women, all members of the royal family and with unquestioned loyalty and unrivalled wisdom, to select the new Island Guardian.

    In many ways, these women manipulated the levers of power that governed Sangal. From birth, each of them received a thorough and exhaustive education. Princesses and queens were included in this group of course, as well as the daughters, wives, and female cousins of Island Guardians. From the age of four, they gathered to live collectively at the royal palace, permitted to visit their home islands for only a third of each year. After coming of age at twelve, they began a long expedition to all of Sangal's islands, so as to best learn about the living conditions on each of them.

    Granted both thorough knowledge and long years of traveling experience, the abilities of these women could not be compared with those of any other women in the world.

    The current King of Sangal had two sons and three daughters. In order of age, they were Crown Prince Karnan, Princess Karina, Princess Roksana (who was already wed), Princess Saluna, and the youngest, Prince Tarsan.

    Prince Tarsan wrapped a belt around his hips as he spoke. "Saluna...I think I got mad at what our brother said because I don't want to be like that prince. At all. Haven't we been taught since were were born that we have to walk on our own two feet? I want to be a shield strong enough to protect our home. I don't think of myself as anything else. I've trained this hard for this long to be strong enough to be that shield. With me protecting our nation, I'm sure any number of hidden pearls will be able to form in peace, thanks to me.

    "Tell me, is that Prince Chagum even capable of protecting his homeland? His position protects him from anything that might damage his fragile dignity. Aside from when we exchanged greetings, his face was wrapped up behind that white cloth. Because in his own country, apparently, that's the only way common people would be able to look at him. That little..."

    Chagum's pale face swam up in his mind's eye. Tarsan suddenly remembered his rage. "And he came most of the way here in an oxcart. An oxcart! What was he thinking? If he'd chosen horses he would've gotten here faster. Is it really all that beneficial for us to be allies with his country?"

    Tarsan spat the words loudly and venomously, but then he was distracted. The soldiers set to participate in the Martial Arts Demonstration Ceremony finished donning their garb and prepared to match themselves against Sangal’s second prince.

    Tarsan gave them a moment to prepare, then followed them into the exhibition hall. They grinned as they bowed to him. Every man was well-built, obviously strong, and deeply suntanned. They had been selected from the King Tafmur’s army as the best fist fighters the country had to offer.

    The men belonged to various divisions in the army, but among those that specialized in hand fighting, there wasn't a single one that was not at least passingly familiar with Tarsan. He knew most of these men well. He was the youngest of the group, but his physique, physical strength and honed skill would not put him at a disadvantage against any adult opponent. The soldiers that served as his personal guards as well as those that served in other sections of the army recognized him as a warrior worthy of respect.

    Within the group of assembled men were many war veterans. When they caught sight of Tarsan in his ceremonial uniform, one said earnestly, "Your Majesty...truly, it suits you. You look just like High General Yunan." The others fell suddenly silent. The king's brother Yunan had been High General of Sangal, a man of renowned bravery that the entire army had believed in and respected. He had died of an unexpected illness less than two years past, and he'd had no son. The soldiers of the army knew that Yunan had treated Tarsan very much like his own son. Tarsan had been told many times that he resembled his uncle in his younger days.

    Tarsan was happy at the compliment, but his eyebrows drew together. "Thank you. I hope to demonstrate through my performance that the resemblance is not in appearance only."

    "I am sure your guests will be amazed. We're the ones that know the strength of your arm best, after all," one of the members of Tarsan's personal guard said. He laughed a little. "Every time we spar, you leave me with bruises where the chest guard doesn't reach, Your Majesty."

    Tarsan looked closely at him and saw that there were indeed mottled bruises along a thin strip of the man's abdomen that the chest guard had not protected. Tarsan let out a breath.

    "Those are my fault," he said. "From now on, I'll only aim for the places that the chest guard protects." He clapped the young guard on the shoulder. "Come, men. Let's show our foreign visitors the might of Sangal!"

    The men cheered. Tarsan began walking. The others fell into step behind him. As he walked, he slammed the knuckles of his wrapped fists together in anticipation. I wonder if I'll ever get to hit that damn prince.

    If Tarsan ever did manage to land a solid blow to Crown Prince Chagum's face, what would happen? He'd probably get a bloody nose. Good luck maintaining his dignity then. Tarsan's lips twitched upward in a faint smile.

    Chagum felt sweat moving in a line down his spine as he sat in the royal courtyard in a chair reserved for guests of state. This country was much warmer than he'd anticipated—he’d never sweated outside in the middle of winter before. The semitransparent cloth covering he wore completely covered his forehead and eyes. It collected his sweat, and as a result he saw everything through what seemed like a film of water. As time went on, he became vaguely dizzy.

    This is certainly different from the Mikado's palace.

    Chagum sighed as he thought about the heavy seclusion and silence of his home. Sangal seemed like an unusually open and uninhibited kind of place. All the doors and windows of the palace gaped large, always open. The palace seemed to have been built to allow the wind to pass through it at every point. The shining white walls set against the backdrop of the deep blue sky and ocean waves were contrastive. Looking at it all almost hurt his eyes. And the flowers! They twisted around the pillars to the gates leading into the courtyard, fire-red, growing in large clusters of blossoms. Their sweet fragrance permeated the entire courtyard.

    In the very center of the courtyard was a pond, though that did not seem to be quite the right word for it. It was almost large enough to be called a lake. The mirror sheen of its surface reflected the sky perfectly. Twelve small flat-bottomed boats lined the sides of the pond.

    "Excuse me, Prince Chagum," a woman said in a clear voice.

    Chagum looked up at her. The woman addressing him stood behind the empty seat to his left. Chagum had wondered who might come to sit in it. The woman was tall, and not alone: three other women were with her, clearly her attendants.

    With a graceful movement, the woman bowed and bent to one knee. Her skin and eyes caught the rays of the setting sun as she moved. The gleam in her eyes was as vivid as if it were alive. Her long brown hair was styled in an imitation of flowers and vines. Her clothing was loose and thin, embroidered all over with tiny seed pearls. Her shoulders were entirely bare.

    "My name is Saluna," she said. "I am most grateful that you have traveled here from New Yogo to witness my brother's coronation ceremony. For the duration of your stay, it has been decided that this foolish one shall attend on you as a servant."

    Chagum suddenly stood up from his seat and removed the cloth from his face. "Princess Saluna, of the royal family of Sangal. I thank you for your generous welcome. Being received by a princess of this land does me great honor. Please rise, and and take a seat." He gestured to the empty seat next to him.

    Saluna smiled a little and took the seat indicated. Suddenly, the delicate fragrance of flowers—different from those in the courtyard—wafted toward Chagum's face. He had rarely ever talked to a young woman so close to his own age before, and the thought of doing so now made him nervous. He tried not to let his feelings show on his face.

    Many guests of state had been invited to the coronation ceremony. Seats had been arranged to completely surround the pond. In those seats, Chagum saw the other foreign dignitaries and their attendants. He also noticed many wives of Island Guardians and other women of royal rank mixed in among the guests. Looking closer, he realized that the King must have arranged things so that each guest would be greeted by a woman of about their own age.

    "Your Yogoese is very fluent," Chagum said. "You surprised me."

    "Thank you. We learn the languages of the countries we are friends with from an early age."

    Chagum smiled faintly, then said in fluent Sangalese: "So do we. I have been learning Sangalese since childhood. While learning it, I often thought of the people of Sangal, living in their beautiful country to the south."

    Saluna's eyebrows went up. "Well...I didn't know that. I thought that the royal family of New Yogo spoke nothing but Yogoese."

    "The Mikado speaks nothing but Yogoese, because he is the soul of the nation. But while he was a prince, he also learned many languages. Words are the soul's voice. Without knowing a country's words, it's impossible to know its soul. Sangalese is a very musical language."

    Saluna smiled broadly at him. "Yes, I feel the same. Sangalese lends itself well to a grand chorus of raised voices before battle—or to solo ballads echoing across the waves." Saluna looked at the surface of the pond and pointed. "We call that water Ruhn Yaltash, the Surrounded Sea. The sea is considered the mother of all the people of Sangal."

    After saying this, Saluna remembered something that made her giggle. "When my brother Tarsan was little, he jumped in. Said he was going to play with the fish."

    Her whole demeanor changed as she related the exploits of her mischievous younger brother. Chagum's heart warmed to her. He was jealous that there was a royal family that could so openly discuss its foibles with outsiders. The world he'd come from had been based entirely on his blood ties to the Mikado—and all the stifling expectations of perfection that came with them. The only thing his kinship with the Mikado had ever really gotten him was threats and attempts on his life.

    "I never considered that a prince could play like that," Chagum said. "But I can imagine it. It seems that the people of Sangal are full of lively energy. Even this Martial Arts Demonstration Ceremony will be a fight held over water, to honor Sangal's long history of bravely battling the waves."

    At that moment, he heard the strange sound of a flute playing up and down the notes of an octave. "Please turn your attention to the Gate of the Sea," an announcer called out. "Sangal's heroes shall enter from there."

    Two rows of men marching in file entered from the Gate of the Sea, their dark skin burnished gold in the light of the setting sun. All of them had their fists wrapped in leather and wore elaborately decorated chest guards as well as loincloths held up by ceremonial belts. Aside from this, they wore no other clothing.

    Chagum looked at their leader, a proud boy with his head held high, and was a little surprised. He recognized him as one of the princes that had greeted him the previous night.

    "Isn't that Prince Tarsan at the front of the line?" he asked.

    "Yes. Prince Tarsan is Sangal's most skilled hand fighter."

    Jealousy welled up in Chagum's chest again. He envied the freedom of a prince being allowed to personally and bodily participate in a martial arts tournament honoring his brother.

    The flute played a shrill note. The announcer said, "King Tafmur and Prince Karnan will enter now."

    Saluna whispered something and stood up. Chagum stood as well.

    From the palace's northern side at the Gate of the Sky, the King of Sangal and Prince Karnan entered together. Karnan led his oldest son by the hand. The newly born prince was carried by his mother, the queen-to-be, at the rear of the procession.

    All the foreign guests of state broke out into simultaneous applause.

    "Friends, allies, esteemed guests. Welcome to the coronation ceremony of the new King of Sangal. Please share our nation's joy with us for the duration of the festivities." The King of Sangal's voice boomed so loud that it carried to the furthest corners of the courtyard and echoed off the walls.

    The sound of the applause became even louder. "And now, for the first of our ceremonies, the Martial Arts Demonstration. All of our country's finest fighters will be participating in the event. It is a somewhat violent way to celebrate, but we of Sangal take great pride in being brave sailors that fight on rough seas. Please, enjoy yourselves."

    The twelve men set to participate in the ceremony briefly greeted the guests, then spread out, six to each side of the pond in the center of the courtyard. They stood so that they faced one another.

    The sound of the flute faded away and was replaced with the steady beating of a drum.

    At the sound, the twelve fighters leaped through the air in perfect arcs, each one landing directly onto one of the flat-bottomed boats in the water. The boats sank briefly under their weight before resurfacing. Not a single fighter stumbled or lost their balance.

    Ta-tum. The rhythm of the drum beats quickened. The fighters leaped through the air once more, each one criss-crossing with another fighter in midair. They beat their chests with their fists as they flitted past one another.

    Each fighter alighted on a different boat than they'd been on before. Some stumbled this time, but none of them fell.

    The rhythm of the drum increased again. This time the men attempted to land blows on their opponents as they crossed them in midair—all while trying to land safely on a boat.

    The audience was utterly captivated by such a display of human agility and acrobatics. Chagum devoured the spectacle with his eyes.

    While watching the fighters land their blows on one another, Chagum suddenly heard the voice of someone he had long missed.

    Don't lose yourself in the moment. Observe everything. When there is a stone in the water, the water reacts and moves around it. As long as you observe everything, you will be able to react and see the direction the attack comes from.

    Balsa.

    Chagum struggled with all his might to prevent his emotions from showing on his face. An image of the woman that had worked so hard to protect him surfaced from his memories.

    Balsa had taught Chagum a Kanbalese breathing technique called chiki. It was a technique that could be used for both attack and defense. He had only begun to master the technique with Balsa, but he had honed what he knew of it over these past years. He hadn't kept in the habit of using the technique for its combat benefits. He'd kept it up because it helped him hold on to his memories of Balsa.

    Chagum used the technique. A short time later, he felt the benefits of it permeating his body. He'd always hoped to show Balsa his mastery of the technique one day—but that was an impossible dream.

    Many of the fighters on the water began to show their fatigue and started swaying steadily from side to side. Prince Tarsan remained on his feet.

    There was a terrific splash, then another, then another in rapid succession. Three men fell from their boats into the ceremonial pond. Some spectators gasped. A short time later the three fallen fighters surfaced, wiping water out of their eyes and wearing expressions of embarrassment. Some snorted water from their noses.

    As soon as the first group of fighters fell, their unsteadiness seemed to spread to the others, like the cumulative effect of snowflakes causing an avalanche. As the fighters leaped from their boats once again, they fell into the pond like rain. At the end of this leap, only three men managed to land safely on a boat. One of these was Prince Tarsan.

    The rhythm of the drum sped up once more. Without turning around, the three men leaped backwards off their boats back onto the shore. When Prince Tarsan landed near him, Chagum's body involuntarily twitched.

    Tarsan felt like he was on fire. The beats of the drum pounded through his blood. His body throbbed with remembered echoes of the blows he'd taken from his comrades in the ceremony. He was wound so tight he could hardly stand it. Power and heat flowed through him. Look at me, brother! Not a hidden pearl, but a spear piercing the heavens! You should rejoice to have such a brother!

    He could feel the aftershocks of blows in his shoulders and throughout his body. He had been quick and precise in his counterattacks and had cheered inwardly every time another man had fallen into the pond.

    It would be good for my brother to see that darling little pearl's fragility with his own eyes.

    The sound of the drum faded, signaling the end of the ceremony. Tarsan leaped backward off the boat he stood upon. All throughout the ceremony, Tarsan had nursed a secret desire to test Crown Prince Chagum in some way. He managed to land in front of Chagum and pretended to stumble as he landed. As he fell, he aimed a backward swing of his fist at Chagum.

    The blow connected to Chagum's cheek...or so he thought, but at that same moment he felt the force of his own blow recoil back up his arm. The next moment, he was thrown forward as if he'd been struck. Someone seized him strongly from behind.

    He turned to face the person holding him and stared directly into the startled eyes of Crown Prince Chagum with a feeling of cold rage.

    "What is this outrage, Tarsan!" Saluna stood up and faced her brother head-on. At this unexpected accident, the courtyard fell silent as death.

    The King of Sangal and Crown Prince Karnan stood swiftly. "What happened? Are you hurt, Crown Prince Chagum?"

    From behind Chagum's seat, guards and his own personal protectors scrambled forward to protect him from a danger that was already past. The faces of the guards were pale and pinched with shame.

    When Chagum realized he was entirely uninjured, he breathed a sigh of relief. Thanks to the chiki breathing technique, Tarsan's blow had been reflected squarely back at himself. Chagum scrambled to prevent Tarsan from falling, then met the prince's eyes as he turned to face him.

    Suddenly Tarsan's body felt extremely heavy. At first, Chagum saw only his own surprise reflected in Tarsan's eyes, but that quickly changed to anger. Tarsan blushed red to the tips of his ears. He finally realized the significance of what he had done. He had raised a hand as an opponent to a representative of an allied nation. He had meant to pass it all off as an accident, but even an accident occurring during a ceremony of this magnitude and importance would be considered a grave error—especially because it had befallen such an honored and esteemed guest. The consequences would have been even worse if Chagum had been injured.

    Tarsan knew that his own immature hubris and unbridled rage had gotten the better of him. Trembling, he fell to his knees in front of Chagum. He felt the eyes of his father and brother gazing down at him. When he glanced sidelong at their expressions, his stomach contracted.

    At that moment, he heard a voice from above.

    "Are you all right? You must have come down so hard as you fell," Crown Prince Chagum said. "Stumbling a bit while landing from a jump like that is understandable." Chagum stared steadily into Tarsan's eyes, but spoke for the whole room to hear. "Please, do not worry about me. I am unhurt. Although Prince Tarsan briefly lost his balance, he landed in such a way as to spare me injury. This demonstrates great consideration on his part." Little resembling the startled boy that had displayed such shock at Tarsan's blow, Chagum offered the clearly agitated King of Sangal a calm and measured smile.

    "It was a truly splendid ceremony. It has been my great honor to witness it. If our positions were ever reversed, I hope I would be capable of showing Prince Tarsan the same gracious consideration that he has shown me in shielding me from danger." Chagum's tone contained a hint of laughter. The guests of state immediately relaxed their silent vigilance. Here and there, people smiled. Small pockets of applause broke out.

    Both Crown Prince Karnan and the King of Sangal visibly relaxed, impressed with Chagum's tact in managing the situation. They returned to their seats.

    Prince Tarsan's entire body trembled with shame. Chagum's masterful manipulation of the circumstances had Tarsan coming off as a clumsy fool. He struggled to contain the roiling in his stomach.

    This cold prince that he hated had concealed all of this emotions behind his eyes, as if he'd dropped a curtain over them. Tarsan understood clearly that Chagum did not hate him. He struggled hard to contain his own hatred, writhing inside him like an animal. He didn't want to think about the implications of someone he hated not hating him in return.

    The musicians resumed playing in the courtyard. The men that had participated in the ceremony began reforming into lines near the pond.

    "Please forgive my terrible transgression," Prince Tarsan said, still on his knees. He stood and bowed, then turned back toward the pond.

    As he turned away, Chagum called out to him. "I..." Tarsan turned back to Chagum and met his eyes. "I don't want such a trivial matter to be a thorn between us," Chagum said.

    Tarsan scrunched his eyebrows, but did not break eye contact with Chagum. When he saw his hatred reflected back at him from Chagum's mirror-surface eyes, he was astonished at the force of it. He had said many self-important things today, even shameful things, and now he seemed to hear all of them again as if for the first time. The hatred behind those utterances felt childish and petty. For the first time, he saw past Prince Chagum's aloof facade and perceived a boy of about his own age underneath.

    He stared at Chagum for a short while longer, then replied, "Neither do I." He bowed again and turned away.

    He stopped short of joining his comrades to ask, "Prince Chagum, are you acquainted with any forms of martial arts?"

    Chagum's eyes gleamed brightly at the question. Prince Tarsan's perception of him instantly changed. "That's something we should talk about, I think...if we get a chance to, during the celebration."

    Tarsan bowed crisply—and sincerely—once more, then moved to line up with his comrades.



48 comments:

  1. Poor Tarsan, he's just a young teenage jock. It's very uncool of his brother to talk him down and Chagum up when they've only just met Chagum - like, "hey, wow, this stranger is way better than you, why can't you be more like him, you loser?" That would anger any 14-year-old in the world, imo. Maybe Karnan is kind of a jerk just like the vast majority of the male royalty in this series seem to be. Saruna seems cool though.

    This chapter is quite dense - oh, Professor Uehashi, I see today's lesson is the governance and economics of Sangal! I am glad that women have a fairly major role in their government, and I also like that they can choose, to some extent, to whom they end up in a political marriage. So Sangal is definitely a better place for ladies than New Yogo or Kanbal. Also it explains why Saruna is so much wiser and cool-headed than her brothers. It seems like the toxic masculinity is very much in the expectations for how the men should behave. I don't know if you're familiar with Star Trek at all, but there's a species called the Cardassians, where the women are the scientists and the politicians because it's thought that men are too hot-headed to be intellectuals. Sangal seems like that. XD Men: fighting. Women: thinking. (But still better than New Yogo's attitude - Women: birthing heirs. Men: everything else. SIGH.)

    Also, poor Chagum! He didn't CHOOSE to come in that stupid cart, or to wear that veil, etc. It's not his fault he has to be a precious little pearl! It's like being forced to wear some stupid outfit that one's parents chose and then getting teased for it. In conclusion, I thought you were kidding about Tarsan fantasizing punching Chagum in the nose. Nope! ROFL

    This chapter is long so Imma finish reading it later. I am very much enjoying the story so far!

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  2. I'm kind of appreciative of how Chagum and Tarsan are contrasted - Tarsan is jealous of Chagum because his siblings see that ineffable royalness about him, while Chagum is jealous of Tarsan because Tarsan gets to do things and be a human. It's weird that Saruna introduces herself in such a demeaning way. I also appreciate that Chagum has a little moment there where he seems like his age, being all "omg there's a beautiful girl sitting next to me and she smells good... what do I do...", since most of the time he comes across as much older than 14.

    I wonder if he wants to be friends with Tarsan. Like, maybe he's thinking this is his one chance to make friends with people who are of his own status so he won't get in trouble for consorting with them.

    The second half of the chapter was shorter than expected, and... well, I guess I just couldn't stop reading. XD It's funny because this is the book I was least interested in (no Balsa, no Hunters...), but it's definitely just as engaging as the others. I stand corrected. XD

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    1. I really suspect that all the features you've talked about (no Balsa, no Hunters, no New Yogo presence to speak of etc.) are part of why this book never got translated. :( Difficulty of translation might also play a role; politics isn't my wheelhouse, so I had to rely on my historical reading experience to render this. (I should probably note that my rendering is probably more like a clear bushwhacking of a path through Uehashi's prose than it is a faithful rendering of her style...all the details are present, but I cut down on the highfalutin stylistic pyrotechnics to focus on content. It's all I know how to do at this point.)

      I also think of Guardian of the Dream as perhaps the weakest book in the series; it's the only one of the lot that wasn't even touched on in the drama (even Sangal got, like, half an episode XD), and the only one without plot implications that echo later on. I like it as a standalone story for what it reveals about New Yogo (even if many of those revelations are disappointing) and especially Torogai, but I think trying to sell that one and then realizing the next book was a complex geopolitical tangle that Chagum needs to unravel alone was probably a bit of a tough sell. When I read it the first time I remember it being rough to get into (and not only because I was woefully inexperienced at reading long-form fiction in Japanese at the time). I like it a lot better this time around, and I'm really looking forward to "Traveler of the Blue Road" because it's richly detailed and laser-focused on characters just like this one.

      I do remember that Star Trek episode, and I think the comparison is apt. Fortunately we will see some clever men of this country soon, and of course this series has no shortage of physically tough women. This chapter sets up the Sangal stereotypes, but not every character fits neatly into them (and thank whatever god there is for that). Tarsan comes off very much more as 14 than Chagum does, but Chagum was unusually mature as a child as well, and he's been carrying the burdens of an adult for a few years already. I thought Chagum's reaction to Saluna was super cute, too, though I also question the wisdom of putting a teenage girl in almost see-through clothes with bare shoulders, even if she is a princess. I'd be equally flustered if I were Chagum, and I'm not 14. XD

      Chagum wants to go out and get to know people and the world, just like he did in the first book. I'm not sure he wants to be friends with Tarsan, exactly, but being enemies is definitely not a good idea. For me the funniest part of this whole chapter was Tarsan realizing that Chagum was, y'know, a person only after Chagum reverse-punched him. It goes with the masculine honor code: "You beat my ass; I respect you now." Oh, boys...Chagum does get to have a bit more fun sampling exotic food and chatting up the locals before everything goes south, and I'm glad. It's not like Chagum ever gets to have much fun.

      The next few chapters are shorter (yay for my hands!), but with the holidays over next week I'll have a wee bit less time to translate. I really like my current pace though; it feels pretty comfortable.

      Well, back to it. 頑張りまーす!

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    2. Oh, and re: Saluna's "foolish one" introduction: this is a feature of keigo, where speakers humble themselves and exalt their listeners, only done in extremely polite speech (usually only among politicians in Japan). New Yogo's Mikado is also known to be quite twitchy about his honor. Think about Saluna greeting the Mikado, and the put-down makes more sense, doesn't it? :)

      Chagum and Tarsan are contrasted to good effect; I also thought Karnan was too harsh on Tarsan, but it turns out his admonition was justified (he begged Tarsan not to **** up, and Tarsan did anyway...) And having Chagum save himself using Balsa's training gave me warm fuzzies. If he were just an ordinary prince from New Yogo, he would currently be bleeding on the floor and the countries would probably be at war, which would make the Talsh very happy, I'm sure.

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    3. Maybe it was part of their plan in pairing each guest with a lady of similar age - fluster the men, get the a little off-balance while also impressing them with how great Sangal is in more ways than what the Martial Arts Demonstration can show. It's too bad that New Yogo is all about racial purity in their emperor, because they could forge some great alliances if Chagum's royal wives included, say, Saruna, Senna, and Asura (I'd say Nimka but I believe she's only in the anime? not that they'd EVER consider the new Mikado marrying a Yaku) - then you've got ties to Sangal, Rota, the Rassharou. But, such a thing would never ever be allowed. ALAS. Chagum will have to marry three strangers from the New Yogo nobility. Poor boy.

      I agree that Dream would have been a much harder sell than, say, Darkness. It had a lot of dense philosophical stuff that still doesn't quite make sense to me, and Torogai's backstory was so utterly depressing. Especially with Scholastic as the publisher and the books being marketed to kids (and with US sales unimpressive). But they could hardly skip one or more books in the series in favor of, say, Guardian of the God.

      Yo, imagining this scene with the nasty Mikado in Chagum's place... wow, yeah, nope. His guards would probably kill Tarsan on the spot or something, and bang, immediate all-out war. SIGH. This is why you don't give command of your armies to a 14-year-old?

      I also got warm fuzzies at Balsa's presence in spirit, as it were. She continues to save the day, years and miles apart.

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    4. We've seen that the women of Sangal do enjoy their power and abilities when it comes to manipulating men, so you're not far off the mark. :) Chagum's future holds much more for him than forced political marriages of any kind, but I wouldn't mind those three for him, and Saluna especially because they genuinely hit it off. (Asura/Asla was a little unhinged for just a little too long for me to give much of a rousing endorsement there XD)

      There's a lot of implied stuff (hard to translate) in the Guardian of the Dream book that would probably make it easier to understand if it were included, but that's difficult. I wouldn't mind taking a stab at it just because it builds so much on the magic world setup in the first book (and I can borrow explanations from there), but I also don't want to step on any toes. When you translate the magic stuff in this series without the implications underneath, you're left with what the magic looks like (i.e. smoke and mirrors) and not with how it works.

      I liked learning more about Torogai, and Tanda's horrible family--Jin's cameo was also a highlight--but reading Guardian of the Dream was definitely more of a bummer than not.

      I'm really glad the Mikado couldn't go to Sangal. XD Even though there's no Balsa in this book, she continues to make herself felt. This isn't a huge spoiler since you'll see evidence of it in a chapter or so, but Chagum steps into the role of this book's Balsa, and it is lovely.

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    5. Tanda's family is the friggin' worst. I still can't get over Noshir in Heaven and Earth being all "hey you need to go to war in place of our brother who has a family, you're useless so no one will care if you die" (I'm assuming that's how he says it because he's a terrible person). Tanda is a kind and tender precious flower, you monster! YOU go to war if you're so concerned for Kaiza! UGH! And, I definitely think that Jin should be dead by this point in the series considering how much damage he's taken in just two books. Dream left it totally ambiguous, as well, along with what happened with the First Empress, which was kind of annoying. But, it's a good thing Tanda didn't kill him because I think Tanda would be devastated if he'd killed anyone while possessed.

      But man, Torogai's backstory was the biggest downer of all. And then Chagum has to go back to the palace without even being able to talk to Tanda before he leaves, and he has such a tiny amount of time with Balsa... SIGH.

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    6. I've been seriously questioning Guardian of the Dream's utility in the story (aside from being a major bummer), and the only explanation I can come up with is that it introduces the soul mechanics that (spoiler) let Chagum flit back and forth between Sagu and Nayugu with no magical training whatsoever. Why? *shrug* (There's an explanation but I'm not 100% sold on it. It's cool, though.)

      Yugno also gets an off-screen cameo in Traveler of the Void soonish, but I don't remember him having any real impact on the overall story, and unlike (say) Hyuugo he never gets an extended backstory or a huge reveal. He's just an annoying reckless singer that Balsa has to guard for...reasons.

      Tanda's family. Urk. I fully intend to NOT give them the benefit of the doubt when translating so they're probably going to be unspeakably awful.

      Jin is pretty darn tough. I never liked how his fight with Balsa was translated in the Scholastic version because it's clear in the Japanese version that he gets a HUGE kick out of fighting Balsa. Maybe he's loopy with blood loss or something, but I found myself chuckling through that scene in Japanese. (I'll add it to my list of things to translate for you, since I know Jin is one of your precious ones.) His scene with Tanda (holding him down, breaking bones, cutting tendons and whatnot) just kind of felt tragic and was unusually graphic. :(

      I think you'll like how Chagum lands, in the end. I certainly did, and while it's not an ideal ending, for a Japanese ending it provides an unusual amount of both fairness and closure.

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    7. I seriously disliked Yugno, too. He was so useless, and when it was between letting monster!Tanda get him or risking Tanda life, I wanted to scream at them to just let him get Yugno. Seriously, dude was NOT worth protecting at the cost of risking precious Tanda.

      I appreciated getting backstory on Tanda and Torogai and seeing how much Balsa really does care about Tanda, and I thought it showed how Chagum's situation had changed - and was continuing to deteriorate. It also established that Shuga was studying with Torogai and that Chagum had become a pretty clever little politician despite his youth. (And of course, it was nice to see Chagum and Balsa reunite, if only for a moment.) But it certainly does seem to add the least to the series as taken as a whole, from what I can tell. This book has all this stuff about the growing Talsh threat, which certainly ties into the large forthcoming plot.

      I think there's something to be said for translating something that someone else has already done (Dream, Darkness, Spirit, in this case). Certainly plenty of classics have been translated by dozens of different people, and each translation is a little different. Since someone not fluent in the original language can never truly appreciate the original, multiple translations maybe serve to bring out different aspects of the original? IDK. I've watched the Moribito anime with, I think, three different English translations - the official subs, a set of fansubs, and the dub - and each one is different. Certainly there are some translations I prefer over others, but a new translation to me feels like a whole new version of the story - almost like another show. I wasn't going to watch the dubbed version but I decided to for precisely that reason. (And the dub is decent except for the voice they gave Nimka, which is... grating.)

      I was disappointed by book!Jin the first time I read it - he seemed like kind of a jerk (all the Hunters did, tbh), when the anime Hunters came across as generally pretty decent people... and also had a much larger presence in the story. In reading it a second time, and in reading Dream, I was less disappointed because I had no expectations of the Hunters as main characters at that time, and he and Zen seemed generally personable - certainly book!Jin isn't moody and sad like anime!Jin. The book versions of Mon and Yun seem much less likeable than the anime versions, though - Mon seems bloodthirsty and Yun seems really classist and unfriendly. I'm sure he won't benefit from his role in Blue Road, either. >_<

      That ended up being a really large tangent. OH WELL. I'm just so glad to finally have someone to talk about Moribito with. Have you noticed? LOL

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    8. If Yugno had ever shown up again to do anything useful whatsoever (something that the other characters couldn't do), I might have forgiven Guardian of the Dream. XD As it is, it's just...kind of...meh. The current translation of "Dream" does do Jin credit, though. The Scholastic version does not capture Mon's terrifyingly competent mob-boss politicking or Jin's youthful playfulness. Seriously. Of all the hunters, he is most like a precocious kid, and comes off as just as curious as Chagum. Mon is slightly irritated by this, but only slightly; its clear in scenes that are focused on him that he knows how to use the strengths and compensate for the weaknesses of all of his men. And the Hunters definitely aren't perfect (xenophobia plays a role in later books), and they definitely don't get the screen time they need to be developed fully as people, with a few rare exceptions (Jin gets the most characterization, with Mon right behind him). But that just means you can have more fun with fanfic, right? :)

      I wouldn't classify Mon as bloodthirsty, just efficient. He's still scary, but he kills on orders, not (necessarily) because he wants to.

      I *started* with the dub version of Moribito (urgh, such a long time ago!) before the idea of even learning Japanese crossed my mind. I also didn't mind it (Balsa and Tanda were especially well-done, I thought), though of course I don't watch it that way these days. In my experience fan subs are usually the most committed to bringing out nuance, but they can sometimes be way off the mark (idiomatic expressions can cause that, or just a slightly tone-deaf ear for dialogue).

      We got a rehash of most of the events of "Guardian of the Dream" in "Traveler of the Void," and it only took about 2-3 paragraphs to relate. XD The story needed more plot, more Balsa (specifically Balsa & Tanda and Balsa & Chagum), and maybe a tiny sliver of hope for a better future. There wasn't much of any of those things.

      I'd be reluctant to post a full translation of a book that's already published (so, the first 2), but I could translate them offline and share them with you, since I'm pretty sure that constitutes study purposes and fair use. And it's not like I don't know you already own official copies...When I was rereading "Dream" in English there were a few parts I remember differently from the Japanese version, so I might take a shot at it, too. After the main story is done, though.

      I don't have anyone else to talk Moribito with, either, so this is a lot of fun. :)

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    9. That makes sense... the last thing you want is the copyright police coming after you. I definitely own copies of everything I can get my hands on - the Scholastic books, all the manga, the official anime fanbook... if I could get my hands on the two big coffee-table books of ref sheets for the anime I'd be set. I haven't bought the books in Japanese because I'm not *actually* trying to learn the language and there really aren't that many pictures, so it felt like a silly investment. But if they keep making manga of the books (and I very much hope they do!) I'll keep buying 'em. XD Incidentally, Dream might be better as a manga because of all the action and the opportunity to see demon!Tanda and this flower palace and all... and skim over the boring-er bits. IDK, I enjoyed the book for what it was. I also liked how they worked elements of it into that one episode of the anime, Flower Wine for Tanda, where it was Saya whose soul was rebelling against an unwanted marriage. Maybe they knew there was no way the studio would greenlight another season... or, at least, not a season for every book. They had a lot of clever little callbacks to the books, I've come to realise, actually. Uehashi's lucky that the people adapting her stories love them so much and take the time to really do their best.

      Speaking of the anime, it's funny how different some of the characterizations are (not just Sagum and the Mikado, lol). Jin, playful? PLAYFUL? I don't think that boy smiles once in the whole course of the anime. Even in the drama he's like this sad puppy that keeps getting kicked (literally, in the case of the Mikado...). I know the manga I've been working on was written by the anime team and I don't believe Uehashi had any part in it, and it certainly explains why anime!Jin is the way he is, but it makes me curious what she herself was thinking about the backstories for him and various other minor characters.

      Torogai is also waaaay more snarky - frankly, mean - in the books, too. She's so harsh to poor darling Tanda (in Dream especially)! Anime!Torogai is curmudgeonly but I don't recall her ever being outright mean... but maybe there's some nuance that I'm missing, IDK.

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    10. My love for/desire to read a book prompted me learn Japanese so...it's a slippery slope, my friend. :)

      Jin in the novel has a fair amount of cognitive dissonance; he's the only one of the hunters that remembers what it's like to be a normal person, and he very much acts like it whenever Mon isn't looking. He admires Balsa tremendously (you get little hints of this in "Dream" as well), his affection for Chagum is definitely real, and his allegiance to the Mikado over Chagum is flexible at best. I get the sense from him that the Hunter role is something he puts on and takes off, much like Chagum does his own royal persona.

      I think the anime episode based around "Dream" worked better than the novel because of higher initial stakes (who doesn't love little Saya?), and less horrific repercussions for poor Tanda. I tend to think of the anime as a sunnier reality than the books and the drama, where most everything turns out all right in the end. :) (I promise that the end of the books is good, though. It is not perfect, but on balance, everything turns out more or less as it should.)

      How Torogai is presented depends very much on how you choose to interpret registers in Japanese. Torogai's speech is rough (to everyone; not just Tanda). She's a powerful witch that lives in a fairly isolated location and rarely talks to the high and mighty (for most of her life, at least), so this makes sense. Speaking as master to student, Torogai tends to give Tanda orders and assume that he knows things, which can come off as mean-spirited, but I don't get that sense from her. I get the sense that she's aware of her status (and Tanda's), and is too impatient and wrapped up in her own isolated study of magic to bother with social pleasantries. She's blunt, not cruel--at least that's what I think. If she *did* single out Tanda for special treatment, I'd be more inclined to lean toward the mean-spirited angle. As it is she talks alike an exceedingly cranky grandmother to almost everyone.

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    11. Hmm, so maybe this manga has its basis in book canon after all. I felt like the anime did a really good job getting across how much the Hunters think of Balsa, particularly Mon. Like, he isn't too big a man to admit Balsa is the better warrior and he readily cedes leadership to her once they're on the same team, fighting the Rarunga. I appreciated that a lot.

      I also think you're very, very right, from what I've read so far and from comparison with the drama, that the anime is the sunnier version of things - like a good fairy came along and made everyone nicer and more understanding. I'm pretty curious how they would have handled the really dark stuff, like the Talsh, the Mikado having absolutely no love or concern for his son whatsoever, or Tanda's gangrenous arm. (Though, the "Jin" manga is pretty friggin' dark, and that came from the anime writer...)

      I'm glad Torogai isn't ACTUALLY mean, she just SEEMS mean. XD

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    12. Mon does indeed swallow his pride and cede to Balsa (as he should, dammit). It's definitely a longer road in the book, but everyone gets where they're supposed to go. XD

      What is odd to me is that the first book especially is billed as a children's book, and the next books in the series are not (stylistically) written for adults. O_o So, kids read these. Oi. (I shouldn't be surprised at Japan being messed up. I shouldn't. But I still am.) The anime is pitched better for kids, but I hope that kids that jumped into the books from there weren't terribly traumatized...and the drama is very good (though pitched for adults), for what it is.

      Torogai is as mean as her life's made her, no more--certainly she's not mean for the sake of it, and she does care about Tanda and Balsa heaps. :) She's just hard to understand at times. She's an inscrutable magic weaver, so it makes sense.

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    13. I mean... I had a friend who gave her 10-year-old brother the Hunger Games books, and reading those as an adult I can confidently say: they are WAY messed up. I would never, ever give them to a child, and if I'd read them as a kid I'd have been scarred. Does Japan have YA? I feel like the books should have been marketed as YA in the US, especially since Chagum spends most of the series as a teen, not a child. And YA books seem to have, ah, a broad range of content graphicness here in the US. This same person worked for a publishing company when we were friends, and I remember that some of the new YA offerings that she would gush over were waaaaaay more dark, graphic, and adult than anything I would even want to read as an adult. But YA sells, and if the hero is a teenager it's almost automatically billed as YA. I wonder if something like that is at play for these books? Or maybe it's like Lord of the Rings - it was definitely written for adults, but because it's fantasy it's been called a kids' book, even though as a kid I found it way too dense and slow-moving to interest me, and I could only appreciate it as a young adult. Maybe there's a stigma against fantasy in Japan as well as in the West? (Or was... I think it's going away gradually here with the success of stuff like Game of Thrones and the Marvel/DC movie franchises, idk if that's translated to book marketing too.)

      It actually makes me think of The Once and Future King. It's five books about King Arthur, and the first one, The Sword in the Stone, is funny and kid-friendly and was made into a Disney movie. But the other ones... wow, that book gets very, very dark, and then ultra sad. So if someone liked Sword in the Stone and thought they'd read the rest of the series, they might be in for a nasty surprise.

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    14. YA in Japan is mostly manga. Kids read level-appropriate books; most of the time the writing style itself forbids kids from reading if they haven't learned enough kanji. There are a few series that I know of (and of course they read Harry Potter in translation and whatnot), but YA in Japan looks entirely different than it does here.

      Fantasy is definitely a genre that's not considered as important or relevant as highbrow regular fiction. However, the style of these books is for older kids (10-12 I'd say), so while some of the themes are quite adult (and the next few chapters are going to veer into horror territory), it does seem specifically to be written with kids in mind. And as for the Game of Thrones and Marvel stuff, that's kind of pulpy and popularized. The more complex themes and events in the Game of Thrones books were usually shunted aside in favor of more violence and sex, and most of the Marvel/DC movies (with rare exceptions) were paint-by-numbers action/adventure cheeseball movies without much depth.

      I've read some of the post-apocalyptic teen YA (I have a young cousin and I used to look out for good stuff for her to read all the time), and for the most part the themes are just edgy and not dark. That is, the summaries make them sound a lot scarier than they actually are. If you want real darkness, try Stephen R Donaldson (rape, violence, slavery, whole-scale destruction, incurable chronic illness, mental manipulation and abuse: you name it, it's in there). But Donaldson uses all the 25 cent words, so he's definitely writing for adults.

      I loved The Once and Future King growing up, but my parents also had me watch "Camelot" before I read it, so I kind of knew it was coming. :) And there's a lot of hope for the future of those books, beyond the sadness, which it part of why I think it has such a lasting quality.

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    15. Once and Future King was amazing, but I read it in high school myself, and I was definitely caught off guard by the tone shifts between each book. It's definitely a book I'll read again, though - I just remember being bowled over by how good it was, and how powerful the emotions in it were. Also, thank you, now I have the song "Camelot" stuck in my head...

      I never really thought about how a language like Japanese or Chinese would make it extra hard for a kid to read above their age level. But of course: you can't "sound out" an unfamiliar kanji like you can a new word in English. And when you bring all that complicated pronunciation variation stuff you explained on AO3, it probably becomes even more of a barrier. I feel kind of sad for precocious Japanese kids - I read books that were meant for teens or adults as a kid and would have been frustrated if I hadn't been able to tackle them because of kanji we hadn't learned yet. Makes me really appreciate having a language with only 26 letters and only one alphabet.

      Honestly, the Hunger Games were too dark for me. Not necessarily because of the subject matter, but I think partially because of how the author wrote the dark stuff? I actually tend to read a lot of kids' books - partially because I like the sense of accomplishment that comes from finishing a book, and kids' books are shorter than adult books, but also partially, and increasingly, because I like the coziness of a book where you know it will have a happy ending and you won't turn a page to find your protagonist being tortured or raped or something. (Then again, I *write* pretty dark and violent stories... I wonder what that says about me! LOL) IDK, TV and movies these days seem to all be trying to be dark and gritty, even when it's, oh, a reboot of a cheery children's movie (read: all those Disney reboots) or Archie Comics or Sabrina the Teenage Witch. And more often than not, that grittiness feels gratuitous to me, or forced, and I find it hard to tolerate really dark subject matter that is treated as just a way to get higher ratings, rather than being treated with the respect and gravity that kind of thing ought to command. I think that's why I could never watch Game of Thrones - like you said, they seemed to just be trying to amp up the sex and violence as much as possible, and I didn't see how it added to the story to SHOW a dude having his eyes ripped out by another dude, for example, when it could have been off-screen or smth. I liked the Hunger Games movies far more than the books because I felt like the movies did a better job showing the emotional impact of, say, the senseless deaths of a bunch of children than the books did. ...Oooh, that turned into a really long rant by accident. WHOOPS. (And it was even longer but, uh, turns out there's a character limit to comments here. Which is good because, wow, I can really ramble. >_<)

      Anyhow, TL;DR I'm probably too squeamish for Stephen Donaldson. (Not to say he doesn't treat his material respectfully, I'm just more into happy stories these days than bleak.)

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    16. Sorry for the earworm. :P One of my minor theses (so, fifty pages or so) in grad school was on the Prose Tristan (going back to Gottfried von Strasburg's version), so I have spent a *lot* of time with Arthurian mythology and lore, and still revisit it occasionally. I also liked "Merlin" quite a bit (the movie and the series), though the ending of the series broke my heart.

      I read "The Hobbit" alone when I was six, and "The Lord of the Rings" when I was seven (Eowyn yanked me in and wouldn't let go). I was reading Donaldson at age ten because my parents kinda stopped monitoring what I was reading (my father never did, of course). But hey, I got a great score on both the writing and comprehension sections of the SAT, so all that reading for adults definitely paid off. XD

      Akutagawa Ryuunosuke's personal journals and essays detail the precocious Japanese kid's struggle to read, and I ate that up because *that* is a mood. He could read both Chinese and Japanese by the age of eight, pretty well, but there were almost NO books for children that weren't textbooks or language primers (read: boring). So he wrote three lengthy stories for children (Black Magic, Spider's Thread, Toshishun) so that no child would EVER have to go through his same brand of agony again. (I love this man. He's been dead a hundred years and I love him to pieces.)

      I think that fictional worlds can be dark and gritty and realistically terrifying, and I can even like those worlds (cf. Donaldson's "Gap" space opera), but if that's *all* they are they're pretty much empty calories. We get it. The world's hopeless. No one's going to do anything about it? No? Then what's the point of being human? I get that a lot of people are shitty human beings, but not everyone is, and to create any sort of cooperative society people pretty much have to get along to a certain extent. I was a little older than the core demographic of "Hunger Games" when I first read it, but I'd also seen Battle Royale, so I relegated it to the "you-are-not-special" pile. I thought the romance elements were boring, and that the world was too flimsily constructed (me, shouting at book: "You are physically faster and stronger than these judges so why don't you *do* something about it!") Stephen King wrote an excellent early novel, "The Long Walk," that gets around that exact problem ingeniously, but "The Hunger Games" doesn't really bother. There are all these scenes where the kids are virtually alone with the people who made their lives hell, and it takes three whole books for someone to exploit that?

      Yes, I want to see more strong heroines in fiction. Preferably not dependent on a man or completely physically or emotionally shattered. Stephen R Donaldson puts his heroine through the wringer in the "Gap" series, but he also gives her the time and space to realistically heal, and become badass because of her experiences. (Also, the Gap series has half a dozen strong female characters that are NOT systematically abused, and it is their cooperation that brings the totalitarian empire crashing down.)

      I don't shy away from books with really dark themes, but I always prepare myself emotionally going in. And I definitely have my feelings recovery novels on standby when something gets to be too much for me. Just because a book is for kids doesn't mean it's not a damn fine read (Ella Enchanted, any of the fairy tales by Patricia McKillip or Robin McKinley, and the Enchanted Forest Chronicles leap to mind, to say nothing of Guardian of the Spirit. :) ) I've disliked all of the recent Disney reboots, especially "Mulan" for going the Chosen One route. Erm, no. Even Chagum was not a singled-out Chosen One; he was just the only egg carrier fortunate enough to survive.

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    17. I hit the character limit, too. It is so nice to talk books with someone. :)

      Re: Donaldson, he is definitely an acquired taste. I met him at the World Fantasy Con as a teenager, and after I showed him where the coffee was (he seemed in somewhat dire need of it) we chatted a bit. I still remember a lot of what he said about not being afraid of evil. He was on a panel with Neil Gaiman, Graham Joyce and a couple of others talking about the nature of evil, and his show-stopping quote was something like, "I think it would be more interesting to write a story where eating babies was not only necessary but heroic." (The panel was trying to define "evil," and that was the classic example given. XD) I usually only read his books once or twice a year; they are dense, somewhat difficult, and at times unrelentingly dark. But he also writes really great endings, the kind that tie everything together and make you go back to look for the clues after you've finished reading. None of the darkness of his worlds is gratuitous, either. He's interesting in writing people--deeply flawed people--exceeding themselves to achieve something great for others.

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    18. Oh man, one of the best classes I ever took in undergrad was an Arthurian literature class. We read Gottfried's Tristan, Gawain and the Green Knight, and a whole ton of other stuff, culminating in having to read and report on a modern Arthurian story (I read Mark Twain's Connecticut Yankee in King Arthur's Court, and I learned that, not only is it NOT a comedy, it is dark af. Which was a major suprise coming from A Kid in King Arthur's Court and whatever the Whoopee Goldberg version of that story was... Ha ha urgh.) I loved Tristan, and the Quest du Sangreal even more. The paper that I wrote on Tristan was so good that the teacher asked to use it as an example paper for future students! Man was that neat. And all that Arthurian lit so informed and changed me as a writer. Best English class I ever had.

      When I started to read the Hobbit as a kid, the forward explaining what a hobbit was totally derailed me, and it wasn't til the movies came out when I was in high school that I went back and read the Hobbit and discovered it's a great book. LotR was one of my obsessions before Moribito, as was The Sword of Shannara (which I read in 6th grade, long before LotR, and thus didn't recognize how much, ahm, homage it pays to LotR). Ella Enchanted was great, and the Princess Bride (which took me only three days, hiding the book under my desk at school XD), and the Dealing with Dragons books, I forget the author of those. I read Robin McKinley's The Hero and the Crown as an adult, and I really liked it, but I honestly couldn't stand The Blue Sword - the heroine was such an insufferable Mary Sue (and a White Savior, and a Chosen One) that I couldn't appreciate McKinley's writing at all. It's funny how much more critical a reader I became once I started writing myself. I read nearly all of Michael Crichton's books in middle school (along with a crapload of Agatha Christie), but going back to Crichton as an adult I was disappointed, particularly by his prose. I also used to read a lot faster... maybe it was just because I had more time and didn't have internet. >_<

      You know what books for kids are actually great and have wonderful strong female protagonists? The historical American Girl books. The paragraph I cut from my character-limit breaking comment was me talking up the first Addy book and how expertly it portrayed the horrors of slavery without crossing into age-inappropriate territory. I decided a few years ago to read every one of these books and even as an adult I find them enjoyable and educational. Not every one is amazing, but many of them are stellar. A lot of the modern ones are good too. I bring it up because I was trying to think about books I've read with strong, memorable heroines who do for themselves and others without needing a man to do it for them, and those books leapt into my head as the most girl-power books I've read within recent memory. (And my memory is terrrrrrrrrible, and I've only been keeping track of what I read for 7 years... during which time none of the adult books I've read has had a well-written heroine. It's sad that the strong heroines so prevalent in children's and YA fiction seem to disappear, or become much rarer at least, once you get into "grownup" books. But I also don't read a lot of adult books, so maybe it's just an artifact of sample size... I wish.)

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    19. Can I also say how cool it is that you got to meet that Donaldson guy? I once went to a party at the home of a famous scifi/fantasy writer, who I'd never actually heard of before that night, but who knew all the fantasy authors I HAD heard of, including Ursula K LeGuin and Terry Brooks (who wrote Shannara), and I have to say, she was a super interesting person and I wanted to become friends with her just based off of what little I got to see of her. I'm not sure if this woman was representative of successful scifi/fantasy writers in general, but based on the anecdotes she shared I've got the idea in my head that they really are all super interesting people who are fun to talk to.

      Now, Neil Gaiman I've never been able to get into, personally - even his kids' books seem kind of nihilistic, and he seems to me like a bit of a shock jock (or at least not squeamish AT ALLLLLLL). But I have to agree it's fun to imagine a society with totally different ideas of right and wrong from those of the real world.

      In conclusion, I looked up Ryuunosuke after you directed me to Spider's Thread, discovered that he killed himself at like 35, and got very sad for him. But good on him for trying to improve the world for kids like himself. :/

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    20. Akutagawa Ryuunosuke killed himself because he was severely mentally ill (schizophrenia) and feared following in his violently insane mother's footsteps. Given that it was the 1920s when he was diagnosed, he was probably right. (And the man went to therapy. 100 years ago. I give him props for that.) Japan's mental health care still sucks, but I like to think that if he were alive today he would have found a way to save himself.

      Donaldson was amazing in person--kinder than I would have thought, but also full of nervous energy and pulled tight as a wire. (Super skinny, too. I was afraid for his health, but he's still kicking and doing better, health-wise, these days.) His advice for me as a writer was, "Don't let anyone tell you 'no,'" and that stuck with me as well. He was generally really personable and kind until I pointed out that a creature type he'd invented for a new series set in the same world as his previous series bore strong parallels to the Elohim (they weren't the same, but might as well have been), which he was embarrassed enough about to write a sort of retcon into the preface to his next book...(Sorry? :P)

      That whole convention was full of a lot of amazing people, readers and writers both. My mom's sort-of boyfriend at the time bought the tickets; up to that point he'd been under the impression that I didn't talk much, and oh wow did that weekend prove him wrong XD (I'm an introvert until I find book people. Then I speak and do not stop of air.)

      Neil Gaiman is on the darker side of what I enjoy. His style never quite hooked me either, though "Sandman" on audible is so well-produced that I prefer it more than the actual book. I like Neil Gaiman's ideas, usually, but I tend to be disappointed in their execution.

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    21. One of the kindest things my uncle ever did for me was to give me the folio chapbook editions (hardback) of LotR and the Hobbit, which had full-color illustrations, no preface to bog things down, and unusually large clear text. If I'd had to read a scholarly thesis before my story, I probably would have given up, too :)

      Good on you for your scholarly contributions to Arthurian literature! *hats off* I'm glad you had a great teacher and that they gave you a pretty good sampling (did you ever pick up Chaucer or the Pearl poet, too)? I had a pretty good Middle English course where we covered a lot of the basics (Sir Gawain, Tristan, and later Malory) but it was a bit more dry than what you're describing. The teacher did unbend enough to assign us to create a Prologue in the style of the Canterbury Tales using modern themes. My group (against my strenuous objections) chose a Twilight movie premiere as the setting. And then I had to write most of it. And then we had to perform it. At least we made everyone laugh. :)

      Dealing with Dragons is from the Enchanted Forest Chronicles! :) Patricia C. Wrede is the author. I also didn't care for the Blue Sword; I kept expecting there to be a payoff (there usually is) but...nope. That and "Sunshine" are the only ones I couldn't really get into from her. Though "Deerskin" is more tragic than hopeful. I stayed up all night with "The Princess Bride" the first time I read it (no regrets :) ) and also powered through Agatha Christie, Nancy Drew and the Boxcar Children like a speed demon as a fairly young child (6-8). And yeah, Christie and Crichton and the like come off as a little formulaic these days, but I still enjoy a few of them, and I also try to remember that they invented a lot of popular story formulas. :)

      I remember liking the few American Girl books I read (yes! Abby!), but my favorite writer of historical fiction focused on women for kids has always been Scott O'Dell. He also writes about slavery, and about the displacement of native peoples in America. Most people know him for "Island of the Blue Dolphins," which is amazing, but most of his books feature a strong female character (a child or a woman) at a pivotal point in world history. They're also very well-researched, like the American Girl books generally are. Anya Seton is a historical novelist for adults that I've always liked for similar reasons: strong focus on women's role in events (without being inaccurate, and without making the women spineless or agency-less), thorough research, and focused, engaging prose.

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    22. I don't know why autocorrect changed Addy to Abby, but I can't edit the comment and it annoys me, so I'm fixing it. :)

      I remember reading a lot of the American Girl books that were set at and around WWII (so, detailed descriptions of Victory Gardens, moms going to work, etc.) I don't think I've read many of the modern ones. When my library opens again (next month? maybe?) I may peruse the shelves. :)

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  3. Oh, that's so catastrophically sad. :( Poor Ryuunosuke - he was born a century too early.

    I seem to remember we read The Pearl, but I don't think we did Chaucer. We had some selections from Malory but nowhere near the whole thing. We also had a bunch of really early readings like Geoffrey of Monmouth and some Welsh stuff. It was a really neat class.

    A Twilight anything is certainly comedic gold. Maybe your group members were being ironic? XD

    I had completely forgotten about Scott O'Dell. We read a book of his about the Iditarod - I looked it up: Black Star, Bright Dawn - in school, and I loved the heck out of it. I never finished Island of the Blue Dolphins because my copy was misprinted, lol. And yeah, man, Nancy Drew was my bag in like 3rd and 4th grade, I was a huge fan. I think Agatha Christie has probably stood up better than Crichton (it's his prose that most bothered me once I became a writer, rather than the plot), though I haven't read anything by her in so long that who knows. And the Boxcar Kids - those were the first chapter books I read on my own, I think. Such a great series. I'm pretty impressed you read Christie as a little kid, though - her work is way more challenging than the Boxcar Kids!

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  4. I distinctly remember clutching "The Mystery of the Purple Pool" (Boxcar Kids) to my chest for most of my first day of kindergarten. I had a summer birthday, so I was four. I'd read it maybe six or seven times already; it was my comfort book, and while they weren't my first-ever books I read alone, the Boxcar Kids series were my first "chapter books." (My mom told me later that the teacher tried to get the book away from me. She was unsuccessful.)

    I loved, *loved* Black Star, Bright Dawn (sled dogs were kind of a phase, along with "Balto"), so much that I destroyed the book and had to get another. Island of the Blue Dolphins is absolutely still worth your time, and I'm sure there are better reprints out there. I used to have like 60 Nancy Drew and Trixie Belden books in my closet that I'd tear through at random on weekends, but of course my father threw them out or destroyed them when I moved out...*sigh* I still have a couple of the Nancy Drews, but all my precious Trixie Belden collection is lost. Maybe I'll revisit the series again one day, when my reading list gets a little shorter.

    My uncle Jim would read Christie (Tolkien, too) aloud to me in my preschool years, so often that I memorized whole passages without being able to "read" them, until (of course) I could. He still recommends really great historical fiction and mysteries for adults, because he reads everything and reads like a speed demon.

    My group members in my Middle English course read trash or nothing, unfortunately. XD Still, it wound up being more fun than I thought. I found some of my humble contributions sitting around in an old school folder.

    The English Teacher

    Then there was an English teacher
    Who was attending this special feature.
    To her students, she was overly strict,
    She nearly faints when verb tenses contradict.
    A stern lover of Dickinson and Poe,
    To “lol” in class would not be apropos.
    With her hair tightly back and her sweater clasped shut,
    She was least likely of all to know “what’s what.”
    She told her colleagues at the school
    That she was attending as an enriching tool
    To get to know what the “young ones” are into.
    But to leave it at that would be untrue.
    You see, this empty-nester divorcee
    Was there for the onscreen hot guy buffet.
    She hungers to sink her teeth into Edward Cullen
    And spread a bit of Jacob Black on a bun.
    Not since Colin Firth played Darcy in Bridget Jones’s Diary
    Has she felt so alive and her tenders so fiery.
    She’d spent many a night under the electric quilt,
    Reading the series and imagining, with guilt,
    That she were young Bella, caught in Edwards strong arms.
    Her breath quickens just to think of his charms.
    But she mustn’t let her guard down tonight,
    For she sees a student or two in plain sight.
    She carries lesson plans and a copy of Oedipus Rex
    Surely no one will suspect she’s thinking of sex.
    To the average onlooker, she is merely a chaperone,
    Out with her daughter’s young friends, who aren’t quite on their own.
    “Yes,” she thinks to herself, “no one will guess
    That I am mentally making these young men undress.”

    The whole thing was crazy long, something like 250 lines. It was one of the odder assignments I ever had, to be sure.

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  5. That is... beautiful. Also I wonder if the teacher took it personal... ha. Is it bad I want to read the whole thing? XD

    In high school we definitely had a group project to write and perform our own "Romeo and Juliet" skit set in a different time/place, and I was in the throes of my LotR obsession and we got to pick our own groups, so it was me and my three best friends in the class, and... Let's just say while we were rehearsing in the hallway another teacher came out and yelled at us for laughing so loud it was disrupting their class. That gem is up on fanfiction.net (and has been for EIGHTEEN YEARS? Jeeeeeez). And the one Classics class I took in undergrad had an assignment to write a speech in the style of Demosthenes when he was arguing "Against Philip" of Macedon, who was going to invade Athens, trying to exhort the Athenians to arm themselves... and I got permission from the prof to write mine "Against Sauron", because LotR is just a fertile, fertile bed for parodies. And, I'll be honest, that speech is almost definitely the best thing I have ever or will ever write. XD I love teachers that give crazy (or at least, potentially crazy) assignments like that.

    I had actually never heard of Trixie Belden and had to look her up. I wish I'd known about her books when I was reading Nancy Drew - I finished the original 50 or howevermany and would have loved to find another vintage girl-detective series. (I never liked the modern Nancy Drew books because I considered them "fakes"... and I would have fought anyone who tried to tell me Carolyn Keene wasn't a real person. -__-; Oh, the innocence of childhood...) (I though Betty Crocker was a real person, too.) (And I thought the "Dear America" diary-format historical novels were nonfiction... I was a somewhat gullible child, lol.)

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    1. In high school, we performed a mock trial of Louis XVI, complete with mock beheading. My best friend at the time was Louis and I was the main legal counsel, so I worked desperately to save him (the teacher was impressed with my legal loophole creativity). Of course we weren't allowed to change history. :( The class beheaded a rubber chicken in place of my friend, and we managed to be very serious and solemn for about five seconds until we shook the entire building with laughter.

      I'd LOVE a link to the LotR/Shakespeare mashup. :) And "Against Sauron," because why not? Someone needs to inspire the armies to action against the forces of darkness!

      I'll try to see if I can find the full poem kicking around somewhere and post it. I wrote most of it and haven't talked to my groupmates in years, and if they find it and that's how they reconnect, I wouldn't mind that.

      The English teacher of my class definitely knew I was calling her out. She had a somewhat uncomfortable...thing...going for the BBC version of Pride and Prejudice. She would bring it up in almost every other class. I applied that to "Twilight," and bam! Poem. (She reassured me that she was not a closet "Twilight" fan, though.)

      Trixie Belden was a bit more genteel and kind-hearted (Nancy Drew goes to darker places). I also totally believed Carol Keene was real (you mean...she's not..?), and Betty Crocker too, because why would people make that up? To sell things, obviously, but as a kid that explanation's not going to cross your mind. :( I didn't think the "Dear America" were nonfiction only because I had really nitpicky English teachers that would point out the pieces that weren't true to life or history. (Killjoys, basically. XD)

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    2. That's pretty great. We had a mock trial in middle school, but it wasn't historical (though it was against a different school, which was fun). Poor doomed Louis. XDX

      I'm just going to warn you, this LotR/RnJ thing is... ah... not particularly polished. but it was written by four giggling 14-year-olds so... it's about what you would expect? LOL https://www.fanfiction.net/s/636565/1/The-Tragicall-History-of-Romiet-and-Isilea I've never posted the Demosthenes thing as it seemed too niche.

      I am super amused that your poem was not only directed at your prof, but that she realised as much. Oh man, it's a good thing she wasn't a vengeful person. A few teachers thought something or ever I wrote was meant as a personal slight (it never was) and I got punished when grades came around. >_<

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    3. In my experience people who like books more than people tend to be pretty chill about digs to their personality. (I certainly am. :) ) But I've also had my fair share of nightmare profs, so I'm sorry you had to deal with that.


      Frocutio...is inspired! And it's pretty amazing how well Romlet's (XD) pestering about the ring telegraphs to Mercutio's lines. Mercutio really was pestering Romeo in those scenes; you all had a good ear for tone for 14-year-olds.

      Also, predicting the love story from the "Hobbit" movie trilogy is on point, though I vastly prefer it here as a comedy. (There are a lot of reasons why Tolkien never wrote a Dwarf/Elf romance and I'm glad he's not alive to see those movies. I do think he'd be tickled at a Shakespeare mashup, though.)

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    4. The friend who typed it up forgot to add the end where Tybylas (who was also the narrator) had a sudden heart attack. Since, y'know, it's Shakespeare so clearly the entire cast needs to die. XD What's really funny is that the friend who played Frocutio took that as her internet handle and it's stuck through all these years. HO HO HO. That class was a lot of fun for a high school freshman English class.

      Oh, those Hobbit movies. You know, I genuinely liked Tauriel and I liked that they added a badass female character to the plot, even though it was totally artistic license. But that third movie... oh, oh, oh, what a disappointment. I even read that they had promised Evangeline Lilly, who played Tauriel, that there wouldn't be a romance involving her. And! They totally took away all her badassness, so what was the friggin' point?! Ugh! And I get that the third movie was a trainwreck in large part because the director left the project and they had like two or three months to cobble a movie together from nothing, so... like, I don't blame Jackson and Serkis and the production team. But I definitely, definitely blame the producers who drove del Toro off of the project and then demanded the movie get released on time anyways. And it makes me really sad because there was so much potential there and The Hobbit is one the movies I most wanted to be good. And instead they completely flubbed that all-important third act, leaving maybe like 3 scenes in the whole thing that were any good at all. :/ IDK man, it makes me really worry what kind of nonsense the Amazon LotR series is going to pull - I'm imagining them completely desecrating Middle Earth in hopes of making a Game of Thrones clone. (Which is even more ironic considering GoT rips off Tolkien quite a bit, from what I've heard...)

      And while I'm on this tangent, the Shannara books (which also completely ripped off Tolkien) were adapted into a 2-season TV series, which I was ultra excited for because I loved those books as a teen. And the series was completely ridiculous - it was like fantasy!Dawson's Creek, with a little discount Mad Max thrown in. But I enjoyed its campiness immensely because, let's be honest, the material they were adapting wasn't exactly great literature. (I cannot stress how much Terry Brooks ripped off Tolkien...) But with the great man himself, you expect some dignity in the film adaptations. That's why the original LotR trilogy was so good. I'll probably watch the Amazon series regardless, but... I really don't know what travesties to expect. Poor J.R.R., rolling in his grave. >_<

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    5. I somehow completely missed this before...concur with you 100% on the Hobbit movies, though I only saw the first one in theaters and just read heavy spoilers for the rest because I was not about to give that travesty any more money. I'm kind of looking forward to the Amazon series anyway, because if it's set in the First Age they'll have to treat my favorite Tolkien story ever (Narn i Chin Hurin, featuring Turin, Tolkien's only legit anti-hero). But I suspect they'll time-skip to the second age with Numenor. And while that's also fun, it's not my favorite.

      The Shannara TV series didn't do the books justice, and that is saying something. :( (I saw an obvious sports bra tag in one of the opening scenes and noped out.) My friend and I were talking book adaptations the other day, and we both gave the original LoTR movies a solid B/B+ if we were feeling generous. I gave The Hobbit movies an F; she gave them a D. And we both agreed the Moribito drama got a solid A, because while they compressed tons they never diverged from the characters and the story always remained recognizably grounded in the books (it helps that it's well-done all around: acting, sets, costumes, effects, etc.). We also gave the anime a similar adaptation grade (B+/A-) because although there are lots of anime-only divergences, all of these are also grounded in other books in the series. And there really is something to the vaguely fanfic-ish idea of letting Balsa, Tanda and Chagum be a family for over half the series. If there's one thing almost every fan can agree on, it's that we all wanted to see more of that. :)

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    6. I'll be honest, I love that anime more than the Spirit book (at least, the Scholastic version). That anime is my favorite of all time. I was so disappointed that the book didn't include Balsa and Chagum living at the watermill together, or Toya sacrificing his own safety to protect Balsa, or Jin's backstory, or the hunter detective corps, or that swordsmith dude, or that one scene where the waiter gives Tanda the bean dish with the mama bean, papa bean, and child bean, and Balsa eats the papa bean, and Tanda gets all embarrassed... I love that scene. Or Sagum! Everything was so compressed, and the side characters had so little screen time, and most of the characters in the book were so much meaner than in the anime (cough cough Mikado... but also Gakai, the Hunters, Shuga, and obviously poor Sagum). I only appreciated the book after I read it a second time and didn't go into it with preconceptions about what it would contain. However, I loved Darkness and found it so moving (I think I've gotten choked up every time I've read it, and at the Darkness manga, and at the drama adaptation of that part, too). I definitely appreciate the drama more now that I'm reading the rest of the books, and I think that Haruka Ayase was born to play Balsa - and the dude who played Jiguro, he was amazing, too. It's a good cast and I like the production design lots. I was just so horrified at the Mikado the first time through, not realising he's ACTUALLY LIKE THAT in the books, that it threw me for a loop. >_<

      The Shannara Chronicles are terrible, but I enjoyed them regardless. I just embraced the camp and the inanity. XD My only complaint with the LotR movies is that they didn't keep the ending, with Gollum biting off Frodo's finger and then falling into the lava himself, rather than Frodo tackling him and somehow not falling into the lava himself. But I do recall that when I read the books (again, after I saw the movies) I was a little let-down by the finale because I felt it lacked the epicness and excitement of that scene in the movie - but the irony was on-point. So if the movies had just... not changed that... and I'm not really sure WHY they changed it, either. SIGH.

      I'm trying to think of the best book adaptation out there, and what comes to mind is actually Jaws. XD The book was kind of "ehh", and it had a long, totally-unnecessary porny bit where Hooper, the biologist, has an affair with the police chief's wife. Reading that as a 6th-grader was shocking, to say the least, lol. But the movie is, imo, a master-class in film. *shrug* I'm sure there are movies that improve more on their source material, but this is just what comes to mind.

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    7. The anime is certainly lovable, and while it definitely messes with characterization (of the Mikado/Hunters/palace characters in particular), it makes sense for the creators to do that. They knew the ending of the series would send Chagum back to the palace, and if we knew that place was a nest of vipers we'd never accept it. It's only *because* there are so many more books that the ending is palatable in the books. And the ending of the series *also* has Chagum going back to the palace, and is really quite happy all-around, so it goes to show just how clever those anime writers are. Chagum does have people who befriend and love him throughout the book series (not just Balsa and Tanda), but with the setting limited in the first book to New Yogo, all that love for Chagum got compressed into a single spot. :) You'll also get plenty of Balsa/Tanda subtext and maintext(good Lord is it thick on the ground in "Guardian of the God"; I thought Japanese was more subtle than English but that's a "no"). I loved the addition of the Swordsmith character because it was a beautiful way to symbolize and explore Balsa's relationship with Jiguro and her own past. Having her spear be her connection with Jiguro was just right.

      In the drama, Koji Kikkawa was perfect. I knew it from the first scene he was in that they nailed that casting. (I wasn't sold on Haruka Ayase until she was strung up bloody in that palace prison, but it didn't take me long to be sold on her as ideal casting, either). There aren't really any weak links in the cast, either, though not everyone is exactly how I imagined them.

      I cry every time I get to the Spear Dance in Guardian of the Darkness (it sneaks up on you, I swear). There are days when I'll say Darkness is my favorite book in the series, though I tend to waffle between that one and the last book of Guardian and Heaven and Earth, and The Wanderer. (The series is too good; that's the problem. :) )

      My "terrible but enjoyable" series growing up was The Black Company (Glenn Cook), so there's no need to justify yourself to me. XD I love camp when it's deliberate (cf. Xena) but the TV show took itself a little too seriously while also just being terrible, though it's possible it improved as it went on; I never really gave it a fair shot. I do remember breezing through the first book in about a day, finding it derivative but not terrible. Also pretty forgettable, just because I already knew the source of most of it.

      I have a host of tiny complaints about the LotR movies (Tom Bombadil, Elves with pointy ears(?), Helm's Deep taking 3 hours (it's 20 pages in the book), Gondor's plotline cut to ribbons, no Sharkey, no Scouring of the Shire, I could go on). I did find the change to Gollum's demise telling in terms of interpretation, but it didn't really change my envisioning of the scene. I think I forgave it because they gave us a moment of genuine despair when it was all over. I really did get the feeling for a second that Sam and Frodo had completed their journey, and been successful, and this was the end for both of them...even though I knew the Eagles were coming.

      "Jaws" was a great adaptation! :) I also loved a few of Stephen King's books (though certainly not all of 'em): the original "Carrie," "Misery," and "The Shining" are standouts. We've talked a bit about "Legend of the Seeker," which I also think of as pretty great as an adaptation of a series' general tone. "Interview with a Vampire" was an almost uncomfortably perfect adaptation of a very flawed book. Most of the time, the book is is better than the movie, but sometimes the movie does the book justice.

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    8. Oh, the Shannara Chronicles didn't improve as it went on. No sir. XD There was this amazing episode where the main cast ended up at this hipster commune and there was a rave and everyone was in, like, cowboy hats and lace dresses - it was absurd. And of course the hipsters were evil. It's just hilarious bad, but also fun (to me, at least) because of the production design. The second season has Allanon's daughter to replace Amberle (since she turned into a tree... rofl, even in the books that made me go "wait, whut?") and maintain the love-triangle polyamorous action. XDDDDDDDDD It's such a nonsense series.

      I've heard of the Black Company, but tbh I haven't actually read too much grownup fantasy. I've got much more breadth in children's fantasy classics than books for adults. It's fantasy's fault, though - the books are always like 9000 pages. Like, I've had a copy of Name of the Wind for a decade, but I've never tackled it because its sheer volume is so daunting. Short little 100-page American Girl and Choose Your Own Adventure books are so much more approachable. >_<

      I forgot about Stephen King. I've only read Christine, but I actually thought that movie, while not amazing, was better than the book. (Which was also not amazing... and was where I learned the C-word. Thanks, Stephen King. Your respect for women is inspiring.) But Carrie, Misery, and The Shining especially are horror classics for a reason. Kathy Bates in Misery was terrifying. The Shining is maybe one of the best horror movies ever made, imo. And the ending of Carrie is probably the best jump scare in cinema history. XD

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    9. So, Shannara (TV show) is like my experience with Young Hercules, which was uber-modern (imagine Greek gods lounging around drinking coffee and lemonade while impersonating Elvis; yes, *all* of this happened). It was over-the-top crazy and ridiculous; I loved it when it aired but I wasn't even ten at the time, so let that be my excuse. XD

      The Black Company in individual volumes are generally short-ish, but very gory and somewhat disturbing from a moral standpoint. (If "Berserk" was a set of novels, it would strongly resemble the Black Company series, and "Berserk" is considered one of the goriest mangas of all time.) I love epic fantasy (I *write* epic fantasy--several of my Ao3 works are over 100k). I reread a few books from childhood on a yearly loop, especially my fairy-tale collections and some of my favorite children's novels like Ella Enchanted and the Enchanted Forest Chronicles...but I also read a lot of contemporary fantasy and fiction for adults, plus a fair amount of horror. My mom's a huge horror fan so I suspect I inherited that particular taste. What I read really depends on what I'm in the mood for that day. :)

      Stephen King is really fun in person, and will be the first to admit that his output is uneven. He has a really healthy attitude about adaptations, though. He doesn't love or hate them, because no matter what his readers still have his books and their imagination, and to him that's the most important thing. He used to be much twitchier about adaptations (especially "The Shining") but when I met him some years back he seemed to be really mellow re: movies and TV made from his books. "Carrie" is a really faithful adaptation; "Christine" did work better as a movie. And "Misery" works really well in both formats, though it's not easy to read/watch.

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    10. I mean... your description of Young Hercules makes me totally want to watch it, soooooooo

      How did you happen to meet Stephen King? Was it at a con or something? Are you a famous author in real life? I once went to a party at the home of a successful author; I'd never heard of her, myself, but she was on first-name basis with a lot of authors I do know, including Terry Brooks, and that impressed the hell out of me. She was also a super cool person. I entertained the fantasy of leveraging our mutual acquaintance to somehow wangle a friendship with her, but it never panned out. XD (I also had a fellow grad student who was a former astronaut and oh man oh man did I want to be friends with her. It was like grade school all over again. T__T You want desperately to be buddies with the cool kid, but you just can't get them to notice you. LOL)

      I'm glad to hear, though, that King is cool in real life. I get the impression he's grown significantly as a person since his Christine days, what with his overcoming drug addiction and all. And that book he wrote on writing is a definite classic in its own right. It's always nice when celebrities are pleasant human beings. XD

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    11. For what it's worth, I *do* think that Young Hercules is a better show than Hercules by a mile, though Xena is still better than both. I remember this one being a favorite among the early episodes (Hercules steals a Giant Plastic Cup from Hera and shenanigans involving Ares, Strife and lemonade ensue): https://www.nbc.com/young-hercules/video/what-a-crockery/3974043

      My favorite is either Con Ares (Ares lookalike, which they ripped straight from the "Xena" playbook) or The Prize (Hercules and Ares in a music competition for a McGuffin).

      Me, famous? Hahahahaha (no, and never if I can help it).

      My uncle bought mom and I tickets to this huge literary event in Radio City, something like ten years ago now. The headliners were JK Rowling, John Irving, and Stephen King. They read from works new and old, then answered audience questions. (My uncle yelling "Sirius/Lupin!" during one of the shippy questions to JK Rowling makes me smile even now; he made the entire audience laugh, and some clap). He's the biggest HP fan of the three of us still, and I remember how disappointed we were with her compared to the other two. She came off as taking herself way too seriously.

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    12. OMG YOUNG HERC IS RYAN GOSLING?!!!!!!!!!? I like... I cannot. RYAN GOSLING IS HERCULES. And there's plastic fruit and a plastic table along with the plastic cup... and cringey jokes about modern slang... and Strife's Edward Scissorhands costuming... and Ares', uh, unique beard styling... and a food fight complete with comic sound effects... and, wow, acting! I mean, A-C-T-I-N-G! (Hera's peacock-feather eyes are pretty clever, actually.) Con Ares, I can't even.

      Too bad Rowling's not fun irl. It's nice you got to have a good con experience, though. Your uncle gets cooler and cooler. XD

      Ryan Gosling, Hercules. Crazy.

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    13. Yep. This was obviously waaaay before Ryan Gosling was famous :) Ares and Strife are on "Xena" and "Hercules," too (Iolaus and Ares carry "Hercules" on its back, IMO. Oh, and Autolycus--that's Bruce Campbell.) WETA Workshop did all the props and costumes and stuff (but this was way before the Lord of the Rings movies). Young Hercules is very 90s and very silly but there are flashes of brilliance here and there.

      Rowling his having her hissy fit famous person rant now; I hope she mellows out over the next twenty years or so and gets to the point where she can see trans people as, y'know, people. I think it would do her a world of good. The event mom and I went to with my uncle Jim was well before that controversy, but she did have a bit of the stiff upper lip British thing going on.

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    14. Well, you've sold me. And you've even demonstrated that Young Hercules is free on NBC! Silly 90s camp is exactly what the doctor ordered. I didn't give Xena more than passing notice as a kid, but I am now converted to the Xenaverse. 8D

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    15. Well, that's the easiest conversion I've ever made. XD

      I haven't been able to find it free with ads lately...though as I said it's on Netflix on occasion, so that may be worth waiting for.

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    17. There are a bunch of Ju-on novels, but only the first has been translated into English.

      https://www.cdjapan.co.jp/searches?term.media_format=&q=oishi+juon

      The guy's written tons of horror books so most of them are easy to get ahold of. I'll have to do some digging before deciding to take this on as another project, though. I've already got 3000 pages in front of me, and if the novels are just novelizations of the movies I'm not terribly interested (the first Grudge movie was great; the others, not so much). If they're unique stories or the movies are based on them I may give it a shot. :)

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  6. But seriously, I want to read the whole thing. That poem is a masterpiece.

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    1. Wish granted. :) https://archiveofourown.org/works/28002333#work_endnotes

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  7. "Oi! I told you I wanted old leather hand wraps. Wraps made of new leather will make our hands bleed! We can't possibly use these at the Martial Arts Demonstration Ceremony!" Prince Tarsan shouted as he threw the leather straps at his servants. The straps contacted the servants' shoulders with a cutting sound like that of a whip. The servants quickly vanished into the weapons supply room to find new—or old?—straps.

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    Tarsan, why are you so mean?

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    1. Royal Prince, what can you do :P

      He gets better. Remember he even tried to punch Chagum...but he doesn't do it again :)

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